翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Federal Theater : ウィキペディア英語版
Federal Theatre Project

The Federal Theatre Project (1935–39) was a New Deal program to fund theatre and other live artistic performances and entertainment programs in the United States during the Great Depression. It was one of five Federal Project Number One projects sponsored by the Works Progress Administration. It was created not as a cultural activity but as a relief measure to employ artists, writers, directors and theater workers. It was shaped by national director Hallie Flanagan into a federation of regional theatres that created relevant art, encouraged experimentation in new forms and techniques, and made it possible for millions of Americans to see live theatre for the first time. The Federal Theatre Project ended when its funding was canceled after strong Congressional objections to the left-wing political tone of a small percentage of its productions.
==Background==

Part of the Works Progress Administration, the Federal Theatre Project was a New Deal program established August 27, 1935,〔 funded under the Emergency Relief Appropriation Act of 1935. Of the $4.88 billion allocated to the WPA, $27 million was approved for the employment of artists, musicians, writers and actors under the WPA's Federal Project Number One.〔
Government relief efforts through the Federal Emergency Relief Administration and Civil Works Administration in the two preceding years were amateur experiments regarded as charity, not a theatre program. The Federal Theatre Project was a new approach to unemployment in the theatre profession. Only those certified as employable could be offered work, and that work was to be within the individual's defined skills and trades.〔
"For the first time in the relief experiments of this county the preservation of the skill of the worker, and hence the preservation of his self-respect, became important," wrote Hallie Flanagan, director of the Federal Theatre Project. A theater professor at Vassar College who had studied the operation of government-sponsored theatre abroad for the Guggenheim Foundation,〔 Flanagan was chosen to head the Federal Theatre Project by WPA head Harry Hopkins,〔 a former classmate at Grinnell College.〔 Roosevelt and Hopkins selected her despite considerable pressure to choose someone from the commercial theatre; they believed the project should be led by someone with academic credentials and a national perspective.〔
Flanagan was given the daunting task of building a nationwide theater program to employ thousands of unemployed artists in as little time as possible. The problems of the theatre preceded the financial collapse of 1929. By that time it was already threatened with extinction due to the growing popularity of films and radio, but the commercial theatre was reluctant to adapt its practices.〔 Many actors, technicians and stagehands had suffered since 1914, when movies began to replace stock, vaudeville and other live stage performances nationwide. Sound motion pictures displaced 30,000 musicians. In the Great Depression, people who had no money for entertainment found an entire evening of entertainment at the movies for 25 cents, while commercial theatre charged $1.10 to $2.20 admission to cover the cost of theater rental, advertising and fees to performers and union technicians. Unemployed directors, actors, designers, musicians and stagecrew took any kind of work they were able to find, whatever it paid, and charity was often their only recourse.〔
"This is a tough job we're asking you to do," Hopkins told Flanagan at their first meeting in May 1935. "I don't know why I still hang on to the idea that unemployed actors get just as hungry as anybody else."〔
Hopkins promised "a free, adult, uncensored theatre"〔 — something Flanagan spent the next four years trying to build.〔 She emphasized the development of local and regional theatre, "to lay the foundation for the development of a truly creative theatre in the United States with outstanding producing centers in each of those regions which have common interests as a result of geography, language origins, history, tradition, custom, occupations of the people."〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Federal Theatre Project」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.